In one sense, Bridesmaids is a refreshing film that moves the lens from perpetually adolescent man defying the onset of adulthood found in any recent cinema affiliated with Judd Apatow to the perpetually adolescent woman facing the same fate. At the same time, it’s plot is tired and, amidst a few poignant moments at the end between […]
In an age of prequels, sequels, triads, and epic franchises, X-Men: First Class separates itself from the former list and has become less a prequel, for the most part, and more of a faithfully extended narrative, stemming from the first scene of Bryan Singer’s initial X-Men, where a concentration camp-trapped Erik Lehnsherr’s demonstrates his ability to manipulate […]