Dec13

Birdman — Insanity and Craft

Alejandro G. Inarritu’s new film, Birdman or (The Unexpected Virtue of Innocence) is unrestricted, taking aim at the rash of superhero films that have been progenated by whoresome producers in the past 10 years. As the former on-screen superhero Birdman, Riggan (Michael Keaton) hears a series of names that have joined the superhero cadre and wonders, “they […]

 

 

Mar31

Adore — Wrong or Uncomfortable

Adore is, at its core, inconceivably silly. Despite characteristically strong performances by Naomi Watts and Robin Wright, the film is on the border of pushing the envelope and devolving to ludicrousness. As life-long friends, Lil (Watts) and Roz (Wright) are inseparable. Their childhoods spent together floating on a raft in the water is only a testament to […]

 

 

The Impossible is at once emotionally riveting and confusing.

 

 

It’s Oscar season! Let the conjecturing begin!

 

 

The rapper K’naan has a song that begins: “Until the lion learns to speak/the tales of hunting will be weak” It implies an empathic view of history. And a simple one, too. The perspective of the hunted would, of course, be far different than the perspective of the hunter. But what if the lion could speak? What tale […]

 

 

Austrian director Michael Haneke might be one of the most provocative working in the film industry today.  I’ve shied away from using the term “Hollywood” because there is nothing in Hollywood that resembles the patience exhibited my Haneke—much less the pleasure taken in keeping an audience on pins and needles, forever hinting that a boogey man will […]