Every time you sit down for a movie, whether it’s in the theater or your home, you have a preconception about what’s going to run on that screen for the next two hours. The previews certainly influence this. So do the cast and their filmography. Perhaps the writer has a trope that just won’t die. Or, a […]
Despite Alex Pettyfer’s presence as Adam, Magic Mike is not about the beginning of a male stripper who is down on his luck and just plain lazy. I’m not even sure it’s really about being a male stripper – much like Boogie Nights isn’t just about being a porn star. While Paul Thomas Anderson’s film is better […]
From the cuts between time differentiated by the presence of bruises and broken bones, to the seamless transitions from black and white shootouts to crimson-tinted, slow-motion shots of the prelude and aftermath of carnage, Haywire is vintage Soderbergh – perhaps most in its minimalistic qualities. There are plenty of aesthetic touches and attention paid to detail, whether it […]
The third week in January appears to be all about kicking a little ass. I suppose Contraband started the trend last week as the lone exception to the horror movie flood of early January, but this week seems to be all about violence and redemption. Haywire: First of all, you’ve got to love the preview: classical music plays […]