The Impossible is at once emotionally riveting and confusing.
This week, Disney launches another tentpole film, Elizabeth Olsen gives audiences eighty-eight minutes of tension, a couple of white folks put salmon in an unusual place, a couple of professors exchange identities, and Eddie Murphy tries his hand with teenagers in his most recent, not-funny role. John Carter: Andrew Stanton, director of Wall-E and Finding Nemo, makes […]
From the cuts between time differentiated by the presence of bruises and broken bones, to the seamless transitions from black and white shootouts to crimson-tinted, slow-motion shots of the prelude and aftermath of carnage, Haywire is vintage Soderbergh – perhaps most in its minimalistic qualities. There are plenty of aesthetic touches and attention paid to detail, whether it […]
I Love You, Phillip Morris, exemplifies Jim Carrey’s decade-long transition from comedic goofball to charming leading man. In a way, Carrey has been emulating Tom Hanks, who was best known as a comedic actor before melding comedy sincerity in 1988’s Big. From then on, most comedic roles undertaken by Hanks could better be described as dramedies: […]
The first word out of my mouth after seeing a “great” movie is more often than not, an expletive. Followed by an exhale. I would’ve have thought with “The Social Network”, closing with The Beatles classic “Baby, You’re a Rich Man” would have evoked that emotion. It didn’t. It did however after Leo DiCaprio’s final line of […]