On the heels of Django Unchained, we take a look at Tarantino’s best characters.
Violence, exploitation, cultural commentary: vintage Tarantino.
The Academy of Motion Picture Arts and Science has geared up for February by unveiling the annual poster for its Oscar ceremony (see above). And, judging by the poster, it looks as if the theme of the broadcast will be to appeal to a broad range of viewers, whether they go for romance (Gone With the Wind […]
Having never seen the Tony-award winning God of Carnage, from which Roman Polanski’s new film Carnage is adapted, I can’t make any comparisons on whether or not the transition is smooth or accurate. What is certain is that Carnage is shot much like a play with subtle camera movement and a constant attention to the cast of […]