From the moment a soothsayer warns Julius Caeser to “Beware the Ides of March,” the marriage of politics and assassination were forever canonized in eternal lines. And, in what might exemplify the upcoming season of Oscarbation, The Ides of March is star-studded, characteristically well-acted and brims with tension that is slightly reminiscent of scenes from 1998’s Bulworth. At […]
Marketing 50/50 as a film from “the guys who brought you Superbad” is highly misleading. While there’s truth to this declaration, 50/50 is not a comedy – at least, not like Superbad. The funny moments are mordant and uncomfortable – as they should be. They don’t so much evoke laughs of elation and happiness, but more laughs-of-last […]
As the trailer for the film adaptation of Hunter S. Thompson’s The Rum Diary makes its way around the internet and into the laps of Gonzo-followers, the premier looms and conjures previous imaginings of Dr. Hunter S. Thompson on the silver screen. Thompson – or more appropriately, his alter-ego Raoul Duke – has been portrayed in two films […]
A number of films employ an infidelity motif to frame, expand, or elaborate on a plot. Often, the third act of a film hinges on the act and steers the audience toward an interpretation of one character or another. Take a recent movie like the The Kids Are Alright, where infidelity attempts to vilify two characters – […]
As the latest addition to the “white altruist” genre of cinema, The Help is most effective in its deviation from how it is portrayed through its trailer. This is not to say that the film is a failure or falls short of any expectations. Rather, it exceeds them. However, previews depict it as another incarnation of a film […]
Despite its title, The Boxer might be the antithetical pugilist-movie. There is a boxer, Danny Flynn (Daniel Day-Lewis), and he does box, a little. At the same time, Flynn’s boxing is less a profession, and more a metaphor for the waning but never dying conflict between Irish Catholics and Protestants. And, it feels as if this […]
I Love You, Phillip Morris, exemplifies Jim Carrey’s decade-long transition from comedic goofball to charming leading man. In a way, Carrey has been emulating Tom Hanks, who was best known as a comedic actor before melding comedy sincerity in 1988’s Big. From then on, most comedic roles undertaken by Hanks could better be described as dramedies: […]