The sixth Bond film is the most often overlooked and thrown away, for good reason.
Derek Cianfrance’s Blue Valentine begins with a young girl alone in a field, calling for her dog. She is alone and unheard. A similar beginning greets the audience in The Place Beyond the Pines. It begins in darkness with deep inhales and exhales and the rhythmic click-shish of a switch blade. The tattooed, shirtless Luke (Ryan Gosling) […]
Daniels follows Precious with another look at racial and cultural injustice, but this film is mired in its too-wide collection of themes.
Goldfinger departs from the political satire in Dr. No and From Russia with Love, giving us a handful of firsts and setting the Bond-tone for forty-five years.